By Stephen Wangh
"The actor will do, in public, what's thought of impossible." whilst the well known Polish director Jerzy Grotowski begun his 1967 American workshop with those phrases, his scholars have been shocked. yet inside of 4 weeks they themselves had skilled the "impossible."
In An Acrobat of the Heart, teacher-director-playwright Stephen Wangh unearths how Jerzy Grotowski's actual workouts can open a pathway to the actor's internal creativity. Drawing on Grotowski's insights and at the paintings of Stanislavski, Uta Hagen, and others, Wangh bridges the distance among rigorous actual education and sensible scene and personality process. Wangh's scholars provide candid descriptions in their struggles and breakthroughs, demonstrating tips to rework those extraordinary classes right into a own trip of creative progress. brave and compelling, An Acrobat of the Heart is a useful source for actors, administrators, and academics alike.
Read or Download An Acrobat of the Heart. A Physical Approach to Acting Inspired by the Work of Jerzy Grotowski PDF
Similar direction & production books
Pocket necessities is a dynamic sequence of books which are concise, energetic, and simple to learn. jam-packed with evidence in addition to specialist evaluations, every one ebook has all of the key info you must learn about such renowned issues as movie, tv, cult fiction, background, and extra. Tim Burton is a contradiction—a filmmaker who has a different sort and but continues to be grounded within the Hollywood studio procedure.
Marcus Hearn analyzes Lucas's trip as a director over 4 many years whose groundbreaking technical achievements and construction of tolerating smooth mythologies have endlessly replaced either movie and technological know-how fiction. in addition to his many different accomplishments within the movie undefined, together with the formation of business mild & Magic, Skywalker Sound, and LucasArts.
This learn explores inventive offerings in cinema exhibition, targeting movie theaters, movie gala's, and picture files and situating film-curating concerns inside of a world context. creative and advertisement movie availability has elevated overwhelmingly as a result digitization of the infrastructure of distribution and exhibition.
Notwithstanding he has made in simple terms 5 motion pictures in decades--Strictly Ballroom, William Shakespeare's Romeo + Juliet, and the Oscar-nominated motion pictures Moulin Rouge! , Australia, and the good Gatsby--Australian writer-director Baz Luhrmann is an across the world recognized model identify. His Christian identify has even entered the English language as a verb, as in "to Baz issues up," that means "to beautify them with an exuberant flourish.
- Corporate Video Production: Beyond the Board Room (And OUT of the Bored Room)
- Developer's Digital Media Reference: New Tools, New Methods
- Uva's Basic Grip Book
- Godard On Godard (A Da Capo paperback)
- Modern Post: Workflows and Techniques for Digital Filmmakers
- Filmmakers and Financing: Business Plans for Independents (American Film Market Presents)
Extra info for An Acrobat of the Heart. A Physical Approach to Acting Inspired by the Work of Jerzy Grotowski
From this work Strasberg developed what he called the “emotional-memory” exercise: In the emotional-memory exercise, the actor is asked to recreate an experience from the past that affected him strongly. The experience should have happened at least seven years prior to the time that the exercise is attempted. I ask the student to pick the strongest thing that ever happened to him, whether it aroused anger, fear, or excitement. [Strasberg, p. 149] Thus over the years, what Stanislavski began as a method of stimulating memory by means of sensory recall was transformed into a method of stimulating emotion by means of personal memory.
JERZY GROTOWSKI The actor is an athlete of the heart. —ANTONIN ARTAUD Acknowledgments This book owes the greatest debt to Jerzy Grotowski, whose teaching inspired so much of my work. But it also owes much to many other teachers—including Helen Houston, Martha Stodt, Alan Levitan, Omar Shapli, Kristin Linklater, Alan Miller, and Linda Putnam—who taught me what a bountiful act teaching can be. And it owes special thanks to Tom Crawley, whose journal, The Stone in the Soup, provides a unique record of Grotowski’s teaching work.
I was worrying that I was not doing the asana correctly. I was ruing the fact that I had not started yoga when I was younger. And I was comparing my position with that of one of the other actors—and realizing my body would never be able to do what her body did. And then, the more I thought about her body, the further and further my mind drifted from the yoga. It became clear to me that while my body was practicing yoga, my mind was engaged in a very different sort of warm-up, a kind of express-train monologue that whizzed right past the lumbering local on which my yoga body was traveling.